A house: a joint, a frame, a threshold

This thesis is anchored to the proposition of a house which exists as a concerted effort of poetics. This stance begins with a joint which exemplifies the union of parts, becoming a driver in the structural and aesthetic form of the house. The frame follows, as a question carrying in itself the obligation of a new world being staged, materialized. Furthermore, a threshold divides the glorified natural, and the artificial – or that which is made. In demonstrating the poetics, this thesis takes advantage of a number of representation techniques and other forms of inquiry.